Veronica is cleaning the ship's hold with a powerful water hose.
I thought this could potentially provide some good photo options. Water, light, a lot of dark areas and some real life action, what more can you want.
At Terneuzen, strolling along the Westerschelde.
While sitting on a breaker and enjoying the sun I decided to create a photograph where I would force the attention on one single pane in the picture, using the depth of field, or better the lack of depth-of-field.
The two people on the beach would be
Our son is moving to another house and we had some stuff stored at his old place, a good opportunity to assist him a bit in getting things organised. As you can see, he appreciated us being there.
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Now this is our actual daily life. Passing through Paris on the Seine.
Not every day, but it is something we do on a regular basis. We travel Europe and that includes Paris, from time to time.
Not that special, if you live in Paris
Black and White on a digital camera designed for color. Not easy. Very easy. Depends on your wishes.
I adore the quality of my Black and White scans from real film. See some previous posts. And that quality
A very special day at the Oosterschelde. Hardly any wind, the horizon seemed to disappear completely. If it would not be for the sand-bank you could not see where the water stops and the sky begins.
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We where on the Rhein at Oestrich, going to Worms, together with the ship in the picture. We always start early so we caught a nice Sunrise and I saw this picture starting to come together.
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I love a good Fair, always a lot of opportunities for a good picture. The one at Saint-Jean-de-Luz in France is particularly good.
I walked around, camera in my hand with the strap rapped around my arm, camera slightly behind my back. For me this works good
I am more and more looking for surreal pictures, let you guess as much as possible.
I was in Antwerp last week, and the light was great, so I visited
I have this slumbering project on beach resorts, I guess this one will be part of that.
Again, I am not sure I want to discuss what we are looking at.
Let's just say I took a few pictures of this.
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I think a photograph should tell a story, should be more then just pleasing to the eye.
Even better, for me the story is much more important.
I am done with simple pleasing pictures like
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I don't think I am going to tell you what you are looking at.
The what was there, but the how, not that simple.
There was not much light, and I needed
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The light was magnificent, low evening sun, full of promise.
I knew there where great pictures in the air, I only had to grab them.
Only.
In conditions like that
Sometimes it can be difficult to decide when to click.
The picture itself is there in your mind. You know the 'what', the sentiment you want to capture. But when..
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I don't fancy a description to accompany a picture, this is not journalism. I prefer to let the viewer work it out.
But in this case the why does have an added value.
This is at the Making of Harry Potter Studio Tour, near London, just before
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When making pictures during a day, either working on a story or just visiting an unknown place, I have a tendency to take less and less pictures.
Creating photographs takes a lot of energy, but so does moving through an unknown place, or city, or environment, interacting with your surroundings, getting fed in time, moving from one location to another, you get
While doing some shopping and taking care of things we had to do, I was busy taking pictures.
The world of train stations is allways an intriguing place for me, a lot of people things happening. I noticed
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We are working on a long-term project concerning shipping, I won't elaborate too much on that, nothing solid yet, but this photograph is part of that project, as an example of the style we might want to achieve.
What I want to show here is how
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